• Her Name Is Rose by Christine Breen

    Iris Bowen has just been sacked.

    It’s not her fault, as the author of a weekly gardening column in a regional newspaper, that the publishing industry has been in decline and budgets are being slashed everywhere.  Her work is good.  A lifelong gardener and natural writer, she has been performing well, despite having lost her husband to cancer only two years prior.  But the world is changing.  Perhaps, her editor suggests, she could guest write a blog for free for a while?  If it becomes popular…well, what writer doesn’t know the thrill of writing for exposure?

    Quiet and undemanding, Iris tries to focus on her job options, but her bigger problem that day is her mammogram.  In her forties, it is time for Iris to go for her screening, which has taken on a particular terror after the quick death of her husband.

    The old linoleum was so polished that with every move, as she crossed and uncrossed her legs, it squeaked.  The chill in the air made her shiver.  She clutched her breasts.  Nobody had touched them since Luke.  She held her breath and counted.  exhaled long.  Breathed again.  One, two, three–

    When the results from the mammogram reveal that there’s an distortion in her left breast that will require further testing to rule out cancer, Iris’s world is turned upside down.  She fears for herself, but she’s more frightened because she is the adoptive mother of a 19 year old daughter named Rose and she is terrified of leaving her orphaned at such a young age.

    Rose, a musical protégé, is in London studying to be a classical violinist at the Royal Academy.  Like Iris, she is still wrapped in her grief for Luke, and filled with questions about her future.  When her final master class goes badly wrong, she makes a grand gesture that throws her entire future into question and amps up the tension of the novel.

    Back in Ireland and facing her own mortality, Iris recalls the promise that Luke extracted from her before he died — that she would track down Rose’s birth mother, who had been a young American graduate student at Trinity College.  Iris goes to the Adoption Board in Dublin and discovers only a decades-old address in Boston.  Ignoring her follow-up appointment and telling no one where she is going, Iris impulsively books a plane ticket and sets herself to follow the footsteps of her daughter’s birth mother.  She has planned her trip so impulsively that she even forgets to pack a nightgown.

    Looking at herself in the mirror now as she was ready to go downstairs, she felt acutely like an imposter.  (What does one wear when meeting the woman who birthed your child?)  She sat down on the edge of the bed and took off the sandals and put on the heels.  She wanted to look smart meeting Hilary Barrett.  She wanted to look like she’d measured up to the mother Hilary had probably hoped for when she gave her baby over to the adoption agency all those years ago.  She tried to think about what she was wearing tjat day, but she couldn’t remember.

    In Boston, a deeply emotional Iris finds herself at an eccentric B&B, run by a good-hearted but lonely widow who talks entirely too much for Iris’s taste.  The other residents also forcefully intrude on Iris’s solitude, forcing her to unburden her fears onto strangers as she figures out how to face them. She meets Hector Sherr, a celebrated jazz pianist who is instantly drawn to the red-headed Irish widow, and who refuses to let her go on her journey alone.  When Iris feels her own attraction to him, she must face the fact that Luke is dead, but she is still very alive.  In Ireland, Rose faces a parallel journey to her mother, as she is courted a the custom violin that is proclaiming to have fallen in love with her at first sight.

    As Iris looks for Hilary, the members of Hilary’s world also find their ways into the narrative, and the novel’s theme of unlikely connections between strangers emerges.  They are being drawn together by Rose, who is ironically unaware of her own importance to the story.  The novel takes place only over the span of a few short weeks, but as the lives of the characters turn, the setting of time and place begins to feel magical.

    Her Name is Rose is foremost a novel about love and loneliness, where sadness often serves to unite strangers and make unlikely friendships.  Although there’s nothing surprising in the denouement, all of the characters are so sympathetic that it remains a compelling and heart-warming read to the end.  Iris’s identity as a gardener and Rose’s role as a musician also fill the book with beauty.  When their talents merge in the final emotional scene of the novel, it just feels right and true.

    • Publisher: St. Martin’s Press
    • Publish Date: April 14, 2015
    • Hardcover: 304 pages
    • ISBN: 1250054214
    • Language: English
    • Rating: 3 of 5 stars

    Genre: chick lit, fiction, women's fiction
  • Sisters of Heart and Snow by Margaret Dilloway

    sisters-of-heart-and-snowIn Sisters of Heart and Snow, Margaret Dilloway returns to the central theme of her award-winning novel An American Housewife; the biracial and first generation Japanese-American experience.  Sisters Rachel and Drew Snow are the daughters of a merciless American businessman and his Japanese catalogue bride Hikari, who are thrown together as adults to take care of their declining mother after nearly two decades of estrangement.  When Hikari sends Rachel after a book that she hid in a closet in the family home, she enlists her sister Drew to help her retrieve it and translate it.  The book quickly becomes a mystery for the sisters to solve, as their mother’s increasing dementia makes her unavailable to provide any answers as to why it was so important to her.

    Rachel and Drew find a translator for Hikari’s book, which turns out to be the legend and life of Tomoe Gozen, a famous onnamusha of middle age Japan and concubine to the feudal warlord Yoshinaka.  When Yoshinaka makes a marriage alliance to Yamabuki, a delicate young courtier who is ill-suited to their rough rural life, Tomoe surprises herself by developing a deep friendship with the girl that comes to hold more meaning than her love affair with Yoshinaka.

    Outside, Yoshinaka sat atop a snorting black Demon, in his full battle gear of bearskin shoes and grand iron helmet.  Minammoto banners waved in the summer air.  Hundreds of soldiers cheered when they saw her.  “Tomoe!  Tomoe!”

    She lifted a hand and their voices rose.  Without looking back at her family, Tomoe walked out from the porch and across the courtyard.  Cherry Blossom waited, with her scarlet saddle, her silken blankets, her tasseled bridle.

    “Let us go!”  Yoshinaka shouted!  “We will show my cousin who the true leader is!”

    Tomoe nodded and swung atop the horse.  They began walking out of the fortress, the dust kicking up.  Tomoe sat tall.  Only once did she turn  in her saddle and watch as the figures of the women on the porch grew smaller and smaller, waving at her until they shimmered and faded, like a memory.

    As the sisters follow Tomoe’s life, they each wonder what their mother’s message was.  Does the relationship between these two legendary women parallel their own?  Is Drew the warrior, Rachel the wife?  Or was it meant to be the reverse?  Searching to understand their mother’s love, Drew and Rachel search the story of Tomoe for the parental involvement that they never found at home.

    While the book-within-a-book structure of Sisters of Heart and Snow is a familiar one, Dilloway’s writing and thoughtful insight into the psychology of her characters makes the novel a compelling and sincere story about healing from family dysfunction. Lost in their own problems, the sisters must work to find common ground and a permanent place in the other’s life.  Now a mother herself, Rachel struggles with accepting her young daughter’s upcoming marriage, while fighting to keep her father from moving their mother to an overcrowded and underfunded nursing home.  Returning to San Diego at Rachel’s request, Drew quickly becomes involved in the day-to-day routines of Rachel’s family life, while she tries to piece together her own ambitions and a desire for the sort of lifetime partnership and love that she sees in her sister’s marriage.

    As happens in so many broken families, every move the sisters make is fraught with the emotional history of unhappy memories.  As they move forward through the story, the sisters also move backwards into their childhood memories, where they must confront their wildly different experiences.  Their father’s bullying and their mother’s seeming negligence scarred Rachel and Drew, and much of the novel is engaged in coming to terms with what it means when your parents fail you.

    Dilloway lets the story unfold simply, letting the straightforward thoughts of her characters dominate the prose.  As Rachel reflects on her childhood, she does it with the memories of a young adult, but with the understanding that only adulthood and time can bring.

    I longed to talk to her, to cry into her shoulders, and several times I almost did.  I went to her quilt room where she sat sewing, sewing, sewing, like she was in some kind of factory with an imaginary deadline.  As I stood in the doorway, watching her head bent under the orange yellow desk lamp, I knew two things to be true.  She had her own demons.  And because of those, she’d be unable to be a mother in the way I needed a mother.

    Even her memories of her father lean more towards understanding than anger.  While Killian hasn’t lost the power to hurt Rachel, he has lost his power to surprise her.  Her understanding and acceptance of his character protects her, while giving her the strength and determination to keep protecting her mother from him.

    “Thanks,” I said, in response to the cash he handed me.  I’d trained myself not to respond to his barbs now, not the way I had when I was little.  When somebody is like him, you expect all kinds of mean things to come out of his mouth.  It barely affects you anymore.  Or so you think.  It’s like swallowing something sharp without realizing it, the object sitting undisturbed until years later, when your insides suddenly begin to bleed.

    Likewise, the story of Tamoe Gozen is filled with moments of insight, as Tamoe balances her relationship with Yamabuki with their shared lover Yoshinaka.  Tomoe’s story is action-filled and fast, contrasting with the slower pace of Rachel and Drew’s unfolding drama.  Yet, Tomoe’s story fits well into the novel, as Rachel and Drew draw on it for inspiration and strength.  Although the road is rocky, they work to form a family again, just as Tomoe and Yamabuki did, when they could so easily have been rivals.

    Without Yamabuki, Tomoe thought, she would have turned out like Yoshinaka and her brother.  Bitter, inflexible, battle-hungry, unable to take pleasure in anything but a fight.  It was because of Yamabuki that Tomoe had learned to enjoy the daily humdrum routine of life.  To find the poetry hidden in laundry day.  To learn how to become a mother.  To love somebody better than you loved yourself

    The obvious theme of Sisters of Heart and Snow is the power and difficulty of sisterhood.  Dilloway looks at it from every angle, drawing together a thoughtful story of modern adulthood that stays with the reader long after the last page is finished.

    • Publisher: G.P. Putnam’s Sons
    • Publish Date: January 1, 2015
    • Hardcover: 400 pages
    • ISBN: 0399170804
    • Language: English
    • Rating: 4 of 5 stars


    Genre: chick lit, contemporary, fiction